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Ol3Media CFP: Cinema and Comics

Il 2011 si appresta ad essere un anno caratterizzato dal cinema tratto dai fumetti con l’arrivo sullo schermo di nuovi eroi come Thor o Capitan America, con l’analisi delle origini di X-Men, con l’ormai comune utilizzo del 3D. Queste due forme di intrattenimento popolare hanno spesso condiviso la loro strada ma solo negli ultimi anni abbiamo assistito ad una vera e propria invasione dei fumetti sul grande schermo anche di personaggi secondari.

Il prossimo numero di Ol3Media cerca brevi saggi che possano offrire spunti di riflessione e chiavi di lettura sull’argomento.

Queste alcune possibili prospettive dalle quali analizzare il fenomeno:

l’estetica the staging of comics;

authorial interpretations of the comic (Tim Burton, Sam Raimi, Christopher Nolan, etc..)

serialization vertical (sagas) and horizontal (spin-off);

Cosmetics DC Comics vs. Marvel;

the digital image processing (Sin City, V for Vendetta, 300, etc..)

non-US productions (Asterix, Akira, Adele etc.)

The Italian cases (Paz!, Dylan Dog, etc. .)

Adaptations not mainstream (Ghost World, Scott Pilgrim, Constantine etc.).

lesser-known comics (Kick Ass, Tamara Drew, The Green Hornet, Green Lantern, etc..)

Adjustments between mainstream and cult;

The use of 3D in the recent adaptations;

television adaptations (Walking Dead, Batman etc.).

also proposals will be evaluated properly analyze the phenomenon from other perspectives.

The essays selected will be published in next issue of Ol3Media on line in mid-June 2011. The proposals, together with a brief biography of the author (5 / 6 lines), must be received by March 15, 2011 while the accepted papers must be completed and submitted by May 15 for the necessary editing. The essays will be in Italian or English and will be published in the language of origin.

The length of essays should be between 2,000 and 3,000 words. We welcome links to other sites, videos, photos. Jpg image to the maximum size of 200 kb can be sent for inclusion in the assay. Any subsequent instructions will be sent to the authors of essays selected.

For information and sending proposals:

ol3media@uniroma3.it or barbara.maio @ uniroma3.it

Ol3Media is the online magazine Film, Television and Media Studies, Master of Cine & TV, University Roma Tre : http://host.uniroma3.it/riviste/Ol3Media/

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Breaking Bad and the art television

The advent of TV Cable has led to charges, in the States, a gradual increase in the quality of television. HBO has become a tradition in this broad sense with some of the most interesting in recent years ( The Sopranos, Six Feet Under, Oz etc.), But AMC has for years started a run to its direct competitor with titles such as Mad Med and, indeed, Breaking Bad .

In short, the story is that of Walter White (Bryan Cranston ), a quiet professor of chemistry at New Mexico, married, with a disabled teenage son and a daughter coming. In the midst of this frustrating and ordinary life, Walter discovers she has cancer lung and a few months of life. So what to do to ensure a peaceful future for his family? Simple to use his brilliant qualities as a chemist to cook methamphetamine. To begin the quiet Walter ask help from his former student Jesse Pinkman ( Aaron Paul), now a small drug dealer.

A plot like this could have been quickly degenerate into soap opera-style or a completely divorced from reality, rapidly losing interest. Instead, the show created by Vince Gilligan ( X-Files ) soon moved the interest from the development of the plot than the characters. In fact, many of the episodes have little or no action while the dialogue (or silence) are amplified to the maximum. We follow Walter in what could be called down to hell her life or freedom from trivial, as Walter proves to be a genius who was forced by life to be content with a job as the high school teacher who turns out to be unprofitable and, above all, arid gratification. In his criminal activity Walter reveals his true nature in a job that finally puts to good use his abilities. Never mind that in this transformation Walter also becomes a murderess.

Breaking Bad has its strength in being able to engage the viewer while doing nothing to create empathy for the protagonists. Of course, initially side with Walter, who is overwhelmed by life, but the ease with which you can pull the trigger to get rid of a problem or the way he is able to keep up with the big drug dealers makes us see in a different light. The third season ended with a cliffhanger that still puts not just highlight the ruthless character of Walter, and thus the fourth season promises to be exciting, if possible more of the above. Walter cancer is still in remission and has been for greater chance of developing the storyline ......

to underline how the series will face praise for the staging and photography, but distant from the flatness of television, indeed, very close to the cinema - If not higher.
A comparison with our domestic productions is unthinkable but Breaking Bad is high even by U.S. standards (including the costs ). We look forward to the fourth season of waiting for next summer.

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B - is the prefix of B-side: the side be of little value, rarity and things that have never seen publication elsewhere. Blogs can be read casually as B-log ...

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Dataflow sense of place

Above: Dataflow realized by Crile the investigation " Beyond the sense of place " Salvatore D'Agostino [ Wilfing Architecture]

G them iconoclasts of Byzantium smash pictures to erase the meaning (see the figure of God). We, too, under the guise of the contrary and despite our worship of idols, we are still iconoclasts: destroy the images under the crushing weight of meaning, kill by the way. "
J. Baudrillard


See the Dataflow ...

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30 Rock is an address, n.30 Rockefeller Plaza, home to the studios of NBC . And it is here that environmental 30 Rock , metaferenziale sitcom about creating a show (not particularly high-quality). 30 Rock revolves around the central figure of Liz Lemon played by Tina Fey , actress brilliant Saturday Night Live, who pours his talent here not only as an actress but also as an author.

The tone is extremely funny and the strength of the series is, above all, on the use of excessive distortions that occur behind the scenes of show business: actors who behave like spoiled children, managers who manage either live programs and microwaves, the hazards of live television. While Fey's character is central, one of the resources of the series is the cast of contour including the figure of the manager played by Alec Baldwin that can give here shows its qualities as a brilliant actor career marked more by action roles or bad. Or the role of salesman Ken loves his work enormously even though it is often subject to exploitation and humiliation. Then there is the whole cast of actors on the show who are fighting for an important position and that of writers, described as drifters wasters.

The figure of Lemon is at the heart of the crew of the show and head of the company and needs to mediate between "art" and economical. Moreover, even his private life is necessarily intertwined with his hard work, between the desire for a stable relationship, to have a child and one who always takes precedence, to be a successful woman. And In fact, this character has a feminist outlook quite innovative as it is intertwined with the staff of the same Fey (the show is partly autobiographical) and has a femininity that emerges in a male-dominated world, struggling to avoid being crushed between the perverse mechanisms of show business .

As a show of self, there are so many guest stars who appear with their programs in the show and often they interact with actors to create the comic moments.

From Fey both emphasize how little we know as the United States is very popular and recently used his likeness for Sarah Palin creating clips of great comic effect.

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Labor union, a long way.../Camera del Lavoro, un lungo cammino...

Flyer

nexth On the 28th of february there will be the opening of the exhibition "Labor union, a long way ..." (Chamber of Labour, a long way ...), a collective of artist's book and photographs: the Labour Milan Metro. Corso di Porta Vittoria 43. Milan, at 5.00 pm.

These are the invited artists for the artist's book parformance: Maria Amalia Cangiano, Angelo Caruso, Marisa Cortese, Albino De Francesco, Giuseppe Denti, Pino Deodato, Fernanda Fedi, Gretel Fehr, Mavi Ferrando, Loredana Galante, Gino Gini, Antonella Goto, Ruggero Maggi, Marilde Magni, Nadia Magnabosco, Veronica Menni, Susanne Muller, Mari Jana Pervan, Antonella Prota Giurleo , Stefano Soddu, Anthony Sormani, Maria Grazia Zanmarchi, Martina Jelo.

Photo by Gianmario Masala

These are the invited photographers: Jacopo Barsotti, Paola Bobba, Mirko Bozzato, Giuseppe Cafagna, Ludovica Cattaneo, Roberto ; Ceriani, Margherita Del Piano, Ivano De Ponti, Patrick Siro anna Rosa Faina gavazzi, Luigia Introini, Laura Larmo, Pino Lia, Gianni Maffi, Emanuele Magri, Gianmario Masala , Anja Mattila Tolvanen, Maria Luisa Pani, Italo Passoni, Ilaria Pretto, Claudio Ravasi, Antonio Ria, Marco Ristuccia, Giovanni Rubino, Enza Tamborra, Giancarla Ugoccioni, Alessandro Vicario, Alessandra Vinci.

I will take care of the set up of the expo too; Antonella Prota Giurleo is the curator and the creator of the event.

The idea of the photo side of the event is the examination, the study of this place and the people who works there, the CGIL Milano seat and. About the artist's book creations, They Have Worked on a book by Sonia Savioli ("The Guardian"), official photographer of CGIL Labor Union from 1981 to 1986.

From the original press release:

PRESS

Show: collective artist's books and photographs

Title: Chamber of Labour, a long way ...

Location: Milan Metro Chamber of Labour. Corso di Porta Vittoria 43. Milan

Opening: Monday, February 28 at 17 Reading Performance: Cristina Di Siro

Finissage: Monday, March 7 at 17 Reading Performance: Patricia Falcomatà

Project, and care coordination: Antonella Prota Giurleo

Furniture: Giamari Masala

Libri d’artista di

Maria Amalia Cangiano, Angelo Caruso, Marisa Cortese, Albino De Francesco, Giuseppe Denti,

Pino Deodato, Fernanda Fedi, Gretel Fehr, Mavi Ferrando, Loredana Galante, Gino Gini,

Antonella Goto, Ruggero Maggi, Marilde Magni, Nadia Magnabosco, Veronica Menni, Susanne

Muller, Mari Jana Pervan, Antonella Prota Giurleo , Stefano Soddu, Antonio Sormani, Maria

Grazia Zanmarchi, Martina Jelo.

Testo critico: Giuditta Deodato

Fotografie di

Jacopo Barsotti, Paola Bobba, Mirko Bozzato, Giuseppe Cafagna, Ludovica Cattaneo, Roberto

Ceriani, Margherita Del Piano, Ivano De Ponti, Patrizia Di Siro, anna Rosa Faina gavazzi, Luigia

Introini, Laura Larmo, Pino Lia, Gianni Maffi, Emanuele Magri, Gianmario Masala , Anja Mattila

Tolvanen, Maria Luisa Pani, Italo Passoni, Ilaria Pretto, Claudio Ravasi, Ria Antonio, Marco

Ristuccia, John Rubino, Enza Tamborra,

Giancarla Ugoccioni, Alessandro Vicario,

Alessandra Vinci

Critical text: Cristina Rossi

Opening hours: weekdays 9 am -19; Saturday 9 -13 hours, Sunday closed

Transport: Tram 12, 27, 23, 9, 29. Bus: 73, 60, 84, MM 1 San Babila then 60 or 73

Information:

Responsible organization: Giampaolo Vigolo giampaolo.vigolo @ cgil.lombardia.it

Designer - Editor: Antonella Prota Giurleo a.protagiurleo @ email.it 347 03 12 744

Press Room Labour: Mariateresa Magenes magenes@lomb.cgil.it

Agesol to show artists' books: Licia Roselli direzione@agesol.it

Thanks for your cooperation: women and men working at the headquarters of

CGIL Milan, the categories present in the Chamber of Labour Archives of the work in Sesto San

John

An exhibition, consisting of two shows, which start from a common assumption: the delivery

to artists and performers, something to consider, to be transformed.

In the first case (the photo exhibition organized by the Chamber of Labour Metro

Milan) on "something" given is the actual place of action of the CGIL. A place that was

visited, studied and investigated in its forms and in people who live and returned to

collective vision on the part of twenty-eight photographers.

In the second case (the exhibition of artist's books created and proposed by Agesol in

collaborazione con la CGIL milanese) un testo, La custode, è stato trasformato dalle mani di

ventitre tra artiste e artisti. Non a caso il testo è di Sonia Savioli, fotografa ufficiale della

Camera del lavoro dal 1981 al 1986.

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Online Television 30 Rock Inside the new issue of Ol3Media: Horror in live!

's online the new issue of Ol3Media on' Horror in direct . This
the index:

Presentation by Corrado Peperoni
Hell of the Royal Diary of the Dead - The Diary of the Dead by George A. Romero Andrea Mariani
What If It's Real?: Live-record Horror and Popular Belief in the Supernatural by Joseph Laycock
Cannibalism of the media in the subjective and the mirror: [. REC] Jaume Balaguer and Paco Plaza Marco Cipolloni
Revising Paranormal Activity: Paranormal Entity Is Reality Horror Perfected
by Karley Adney
A Pre-History Of ‘Reality’ Horror Film
by Alexandra Heller-Nicholas
George A. Romero’s Diary of the Dead and the Rise of the Diegetic Camera in Recent Horror Films by Zachary Ingle
Double the Passive: The trials of the viewer/subject in Cloverfield and The Blair Witch Project by Keira McKenzie
Lying to Reveal the Truth: Horror Pseudo-Documentaries and the Illusion of Reality by Don Tresca
No Country For Old Cannibals: L'amazzonia di Deodato e i Mondo Movies
di Marco Cipolloni
Zero Day and Cloverfield: Shooting America’s Scars
by Peter Turner
Blood, evil and videotapes. L´orrore senza fine di Rec.
di Miguel Ángel And Milagros Pérez-Gómez Expósito-Barea

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Recently I bought in France a power supply for the camera EOS550D, but then I thought that an inverter (220Vac/12Vdc) could create problems with field astrophotography, thus was born the new step-down transformer but with high amperage .

Who wants the scheme can apply 1 / 2 mail! It costs nothing!

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HBO: Generation Kill

After Sopranos, we continue with a series of posts on the HBO series the forthcoming release of volume in my care HBO Style. Television, Authorship, Aesthetics (Bulzoni Editore, Rome).

Generation Kill is a miniseries of 2008 created by David Simon and Ed Burns , creators of The Wire HBO always taken from the book by Evan Wright who had followed U.S. troops for the magazine Rolling Stone .
The story recounts the early entry into Iraq of U.S. Marines in 2003. In particular, the narrative focuses on a squad of so-called "recognition", with lightly armed and intended to explore and prepare the ground for further attacks with heavy weapons. Generation Kill is a product that works for antithesis and opposition: the narrative structure of the series is set up as a story "on the road" with destination Baghdad, which became a goal-chimera, where most of the action is represented by the constant movement of troops. At the same time, the static is the real key to the development narrative where the protagonist is waiting: to identify the enemy, the new target, for supplies. Although the series has all the features iconic and war-movie genre, the focus is not on war but on the soldiers and their stories and interactions. Whatever the viewer's opinion on the war - in general and the Iraq war - one can not but side with these soldiers' equipped as Ferrari sent to a demolition derby. "

In

choral composition of the cast, the authors point to trying to characterize each character realism and avoid the stereotypes often found in the genre. Some people were raised to characters: the reporter Evan Wright (Lee Tergesen OZ already starred in the role of Tobias Beecher), the team leader Brad Colbert (Alexander Skarsgard, True Blood already seen in in the role of Eric), Lieutenant Nathaniel Flick (Stark Sands) and Corporal Josh Person (James Ranson already The Wire).

cost more than $ 50 million and turned in seven months in various locations in Africa, Generation Kill wants to be a realistic look on the last war fought by the States branded as a failure even by the now-former President Bush. Although the sins of some ingenuity and common work of Simon and Burns try to set up a powerful and cruel fresco on contemporary society.

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Eva Maya

Above: Eva tower concept, Crile, 2010.

"The twisted and beautiful kneeling girl with red-orange dress (1910), which served as a model of the painter's sister Gertrude: the orange dress and her hair gathered into triangles , a sunken eyes looking straight ahead. One hand on the forehead, the other set behind sharp. The minimal forms, is little more than a silhouette thicken by color. Pulsa something hidden in her and restless. A sign indicates the long unusual twist. "

Left: girl kneeling with orange-red dress, Egon Schiele, 1910.

See other works by Egon Schiele . Play "Schiele, you me" by Marlene Kuntz

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Partial Eclipse of January 4, 2011 Campalto taken from the lagoon of Venice in the company of friends and members of the Association

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The weather was not the best, the clouds were quite dense enough to disrupt the beginning ...

sum of 539 shots on Equinox EQ6, Canon 550D managed by the PC.

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The inability to be normal: Being Human

E 'started in 2011 and we take up our posts.
often surprises for television not come from U.S. but from the production of the United Kingdom, which increasingly have original and amusing.

the series is no exception Being Human created by Toby Whithouse ( Doctor Who, Torchwood ) for the BBC, now in its third season later this year. The story of a couple of friends who share an apartment and make friends with a girl. Nothing unusual except that the two boys are a vampire and a werewolf while the girl is a ghost. With a premise like that would be easy to fall into ridicule, but the series looks at the bottom of the malaise of these three characters who must deal with their curse and still groped for live a normal life as possible.

The strength of the series, despite being a fantasy adventure and a series of episodes episodic, and in the development of the characters and their relationship to life and death. They try with all their strength to live a normal life: Mitchell the vampire, he does not drink blood and tries to keep a low profile to avoid being involved in delusions of grandeur of an illegal association of vampires who want to rule the world, but end it becomes a leader. George, the werewolf tries to come to terms with his curse that can only be made for even one day a month, still haunts him and will come to infect the only woman he loves. Annie, the ghost is trapped in the house where she died - killed by her boyfriend - and tries to escape the doors that open to take it elsewhere. To search for serenity attempt to regain a certain physicality and will work as a bartender in a pub but that will not work.

The viewer is bound to the character and takes a back seat to its supernatural nature. What I care about these characters are their fears of everyday life and the eternal. Therefore even if the series is not without funny moments, the tone is very dramatic. And this is the most dramatic character is precisely that of years, the only really dead yet so linked to their life, especially since that includes the true nature of his violent end at the hands of her boyfriend will not be punished by the courts but will pay his behavior. Annie tries to understand his situation but is determined not to go behind the door that will lead to the very end and where you know you only find eternal despair.

The series is set in Bristol in 2011 and is expected to remake U.S. as often happens with successful series made in the UK, and that will be set in Boston.