Gay Parks In Fort Worth

carriers
Reflections on the lessons of the Wise prof.Antonino >> see lessons course CAAD 09 If at the time of Leonardo Da Vinci I want to transfer in an intelligent + design from one end of Florence as well as smoke signals as a method I can invent?



Leonardo would certainly have been able to transmit information from one end of Florence ...
This refers to

and vector graphics to use delle convenzioni già stabilito precedentemente.I dati (che sono il minimo elemento di modifica di una situazione precedente) possono essere nominati in Entità come linee,punti,superfici e posso scambiare unicamente delle informazioni vettoriali riferite a queste entità. Dunque ricapitolando se uso grafica raster
che ragiona con porzioni di schermo e risoluzione DPI posso unicamente condividere la stessa griglia e dare le cordinate dei puntini da annerire per comporre una linea o una figura (quindi devo dare punto per punto la successione esatta dei pixel che compongono questa linea,magari molto lunga e magari utilizzando proprio dei segnali di fumo visibili da parte a parte della città)

Se utilizzo la grafica vettoriale so già di quale entità stiamo parlando: basta richiamare il comando linea (sui quali ci siamo precedentemente accordati) e dare semplicemente le coordinate di inizio e fine.
Snellisco al minimo indispensabile il codice per descrivere questa operazione e posso fare tutta una serie di operazioni intelligenti su queste entità,come ad esempio ingrandirle,rimpicciolirle,copiarle ed altro(dunque modificarle con estrema facilità). Non opero più su pixel scemi che “appartengono allo schermo” ma con entità inteliggenti che possono essere rinominate e modificate.
------------------------------------------------------------------------------------------------- layer
+ I can combine items in a single layer and transmit only the data so that interest me (eg. A structural layer, or only the side walls). The system of layers is intimately linked to the vector system and entities nameable but today it is largely also widespread on raster systems for ease of use that follows and the semantic content that can be attributed to the Division by layer. Contemporary architecture reifies this approach to stratification in many exemplary projects




Cannaregio Square

1978
Eisenman uses the presence of layers belonging to the past of the city of Venice to hybridize at strategic points with the addition of elements of the current project.


In the competition for the Houses of 1983 an elite group of architects "cultured" reinterprets the logic of the Layer and historical palimpsest of Peter Eisenman in + variants. The project is now known as the winner of Schumacher, but the relevant fact is that the layers are layers of the project independent of each other and speak with different architectural thinking to address multiple aspects of the overall project.
is easy to understand example: turn off a layer in the Round of Palladio does not affect the general understanding of the project, you will be able to understand the spatial distribution and while watching a single layer of a contemporary design (including those mentioned) may be insufficient or even misleading to understand the architectural ensemble.

Competition for Potsdamer Platz by Daniel Libeskind
This is because the design has assimilated in a semantic layer and substantial use of borrowing by the tools that were already provided. Nothing different from what happened in the Renaissance: a tool which itself became the prospect of generator spaces made and designed to be enjoyed and seen only in prospettiva.Lo strumento diviene esso stesso conquista ontologica dello spazio.

La prospettica rinascimentale come “catalizzatore”

-------------------------------------------------------------------------------------------------

Peter Vector

Peter Eisenman è molto vicino alla logica del vettore,in quanto le sue operazioni sulla forma sono di tipo “intelligente” (traslazioni,rotazioni,intersezioni, sino a spingersi nella logica della geometria booleana dell’addizione-sottrazione). Gli inizi del giovane Eisenman are related to the study by Italian + known and appreciated abroad Terragni After working in the office of Gropius and faced with a doctorate from Cambridge Colin Rowe is interested in architecture in a completely different dall'imperante internationalism of the post war and runs on a study "syntactic architecture." To better understand syntax
have recourse to the dictionary ... Italian ling. The set of grammatical relations between words that constitute a sentence or, in general, a linguistic expression of several elements
filos. Part of the logic that studies the relationships between the signs, regardless of the meanings Eisenman makes a doctoral thesis on precisely Terragni, especially on two of his works: Beam House and Casa Giuliani-Frigerio Como 1932-36.

Beam House, Como - Giuseppe Terragni
The first works on erosion starting from the outside this semicubo then subtract parts and working with the antisymmetric and the vertical alignment of the windows to give extreme dynamism to the Casa Giuliani-Frigerio composizione.La obviously works the opposite from exploding planes.


Casa Giuliani Frigerio, Como 1932-36 Giuseppe Terragni This study leads to the Eisenman his experiences in the cycle of X in which the Houses House II is important for understanding the theoretical nature of the conceptual work of the early 70's. It is "paper architecture" or "board" that for most will not take place and moving exploration of the frame (taking as a basis Terragni) to create geometrically complex and compelling space far removed from classical correspondence with function that we usually see in a house. It 'now been cut the umbilical cord that tied the modern movement in architecture and dynamics of the new generation of space take over.
Beam House, Como -
Giuseppe Terragni
Kingdom in Five Eisenman is defined by the form of a terrorist Tafuri, House X is the penultimate of the houses in this first periodo.Non will be realized and this will mark the arrival of the post modern with a time of crisis even by Peter Eisenman personal point of view, and psychoanalysis will be a defining moment for understanding the later stages of el 'acceptance of themselves (their anxieties ") and contemporary society.
House X takes possession of the site identified four articles in various sectors altimetrie.Sono treated eterogenea.Da note the appearance of materials such as ceramic blocks and the typical white networks used by Gehry.

Notebook Michael Graves The post modern and experience at a joint displace it Eisenman struggling to find work and continues its long process of psicoanalisi.Di this period are the complex study of startup, the excavation , the drilling of the soil made from his house XI (home Guardiola).