Monday, June 22, 2009

Can Tylenol Cause Constipation

BUBBLE BUBBLE

My little bubble with 4
poses 6 minutes at 800 iso.
Equinox 80 Refractor
EOS 350D mod.
(sorry for the elongation of stellar)

Friday, June 19, 2009

Bus Tickets From Fredericton To Ottawa

M57 from the city center NGC7000 North America

M57 taken from the home garden conditions say ....( see photos of my desk )....
10 shots for 30 sec. SC 8 at 800 ISO with "room and EOS350D modified (see post )....

Thursday, June 18, 2009

Tech Deck Store In Montreal



are three sums for a total of 18 minutes
I do have 14 poses .... .
calmly prepare .... along with the dark and flat .........
Equinox Refractor 80 and Canon 350D mod.
only sum levels and psp
Pianezze Location (BL) near S. Boldo

Tuesday, June 16, 2009

Making A Tom Brown Tracker

architecture: I represent>> I run>> information First series of lessons


VAC med_06_virtoper C
ARINA C HITETTO

along Front street
asa Capece Venanzi is one of the best projects of recent years in Italy. Located Giulianova, this house is a perfect use of materials and light, without forgetting the spatial and formal qualities that only they can create a decided gesture. The overhang of the upper floor becomes a shading to create shade and protect it from overheating under the glass part, and to defend against the cold winds, the parts exposed to the north make extensive use of stone.

Model of study. The volume is divided on three levels using the existing slope of the hill.









The color contrast between the white plaster and dark stone becomes material richness and tactile experience as well as the openings of large inhomogeneous aluminum screens and fencing are examples for the entry of light and to indicate the presence of Venanzio House at night, when you leave this constellation of holes through them by bright LEDs that give a striking picture of what is simply a home, but for its strong innovation and "architecture" has already become a staging point and a reference to the required area Giulianova. 3cEnicac

The circular and elliptical holes of the aluminum panels let in filtered light in a way suggestive.


The night of the game openings, timely and chaotic, large openings on the ground floor, creating a constellation of signs, unusual punctuation in the nights of Giulianova. satellit




read article ARCH'IT



Vaccarini architect John Official Site



Friday, June 12, 2009

Gay Parks In Fort Worth




carriers
Reflections on the lessons of the Wise prof.Antonino >> see lessons course CAAD 09 If at the time of Leonardo Da Vinci I want to transfer in an intelligent + design from one end of Florence as well as smoke signals as a method I can invent?


6aCover
Leonardo would certainly have been able to transmit information from one end of Florence ...
This refers to

and vector graphics to use delle convenzioni già stabilito precedentemente.I dati (che sono il minimo elemento di modifica di una situazione precedente) possono essere nominati in Entità come linee,punti,superfici e posso scambiare unicamente delle informazioni vettoriali riferite a queste entità. Dunque ricapitolando se uso grafica raster
che ragiona con porzioni di schermo e risoluzione DPI posso unicamente condividere la stessa griglia e dare le cordinate dei puntini da annerire per comporre una linea o una figura (quindi devo dare punto per punto la successione esatta dei pixel che compongono questa linea,magari molto lunga e magari utilizzando proprio dei segnali di fumo visibili da parte a parte della città)

Se utilizzo la grafica vettoriale so già di quale entità stiamo parlando: basta richiamare il comando linea (sui quali ci siamo precedentemente accordati) e dare semplicemente le coordinate di inizio e fine.
Snellisco al minimo indispensabile il codice per descrivere questa operazione e posso fare tutta una serie di operazioni intelligenti su queste entità,come ad esempio ingrandirle,rimpicciolirle,copiarle ed altro(dunque modificarle con estrema facilità). Non opero più su pixel scemi che “appartengono allo schermo” ma con entità inteliggenti che possono essere rinominate e modificate.
------------------------------------------------------------------------------------------------- layer
+ I can combine items in a single layer and transmit only the data so that interest me (eg. A structural layer, or only the side walls). The system of layers is intimately linked to the vector system and entities nameable but today it is largely also widespread on raster systems for ease of use that follows and the semantic content that can be attributed to the Division by layer. Contemporary architecture reifies this approach to stratification in many exemplary projects




Cannaregio Square

1978
Eisenman uses the presence of layers belonging to the past of the city of Venice to hybridize at strategic points with the addition of elements of the current project. 7cmac team


In the competition for the Houses of 1983 an elite group of architects "cultured" reinterprets the logic of the Layer and historical palimpsest of Peter Eisenman in + variants. The project is now known as the winner of Schumacher, but the relevant fact is that the layers are layers of the project independent of each other and speak with different architectural thinking to address multiple aspects of the overall project.
is easy to understand example: turn off a layer in the Round of Palladio does not affect the general understanding of the project, you will be able to understand the spatial distribution and while watching a single layer of a contemporary design (including those mentioned) may be insufficient or even misleading to understand the architectural ensemble.

Competition for Potsdamer Platz by Daniel Libeskind 8bcover
This is because the design has assimilated in a semantic layer and substantial use of borrowing by the tools that were already provided. Nothing different from what happened in the Renaissance: a tool which itself became the prospect of generator spaces made and designed to be enjoyed and seen only in prospettiva.Lo strumento diviene esso stesso conquista ontologica dello spazio.



La prospettica rinascimentale come “catalizzatore”
-------------------------------------------------------------------------------------------------
Peter Vector




Peter Eisenman è molto vicino alla logica del vettore,in quanto le sue operazioni sulla forma sono di tipo “intelligente” (traslazioni,rotazioni,intersezioni, sino a spingersi nella logica della geometria booleana dell’addizione-sottrazione). Gli inizi del giovane Eisenman are related to the study by Italian + known and appreciated abroad Terragni After working in the office of Gropius and faced with a doctorate from Cambridge Colin Rowe is interested in architecture in a completely different dall'imperante internationalism of the post war and runs on a study "syntactic architecture." To better understand syntax
have recourse to the dictionary ... Italian ling. The set of grammatical relations between words that constitute a sentence or, in general, a linguistic expression of several elements
filos. Part of the logic that studies the relationships between the signs, regardless of the meanings Eisenman makes a doctoral thesis on precisely Terragni, especially on two of his works: Beam House and Casa Giuliani-Frigerio Como 1932-36.

miralles3 penezic5] Beam House, Como - Giuseppe Terragni
The first works on erosion starting from the outside this semicubo then subtract parts and working with the antisymmetric and the vertical alignment of the windows to give extreme dynamism to the Casa Giuliani-Frigerio composizione.La obviously works the opposite from exploding planes.


Casa Giuliani Frigerio, Como 1932-36 Giuseppe Terragni torre-agbar-2 This study leads to the Eisenman his experiences in the cycle of X in which the Houses House II is important for understanding the theoretical nature of the conceptual work of the early 70's. It is "paper architecture" or "board" that for most will not take place and moving exploration of the frame (taking as a basis Terragni) to create geometrically complex and compelling space far removed from classical correspondence with function that we usually see in a house. It 'now been cut the umbilical cord that tied the modern movement in architecture and dynamics of the new generation of space take over.
Beam House, Como -
Munich_AllianceArena Giuseppe Terragni
Kingdom in Five Eisenman is defined by the form of a terrorist Tafuri, House X is the penultimate of the houses in this first periodo.Non will be realized and this will mark the arrival of the post modern with a time of crisis even by Peter Eisenman personal point of view, and psychoanalysis will be a defining moment for understanding the later stages of el 'acceptance of themselves (their anxieties ") and contemporary society.
House X takes possession of the site identified four articles in various sectors altimetrie.Sono treated eterogenea.Da note the appearance of materials such as ceramic blocks and the typical white networks used by Gehry.

Notebook Michael Graves The post modern and experience at a joint displace it Eisenman struggling to find work and continues its long process of psicoanalisi.Di this period are the complex study of startup, the excavation , the drilling of the soil made from his house XI (home Guardiola).

The turning point came with the competition for the square in Venice Cannaregio (obviously never built) in the past as historical maps and positions emerge and reemerge in contemporary design as if it were a "palimpsest" (la tecnica medioevale di scrivere sulla stessa pergamena cancellando le traccie precedenti,e lavorandoci sopra,facendo convivere le diverse tracce di scrittura)
Concorso per piazza Cannaregio, Venezia
 "Tema centrale è il vuoto, nelle sue declinazioni spaziali e temporali. Il vuoto del futuro è quello di una topografia urbana di riferimento identificata nella griglia virtuale del progetto di Le Corbusier per l'ospedale di Cannaregio e precisata in una serie di vuoti puntuali nel terreno, siti di case future. Il vuoto del presente consiste in riproduzioni, a scale differenti, della House XI [...] Il vuoto del passato è l'asse diagonale che evoca il possibile erompere dell'inconscio e della memory of Giordano Bruno and the alchemy of his martyrdom, the Venice of the seventeenth century. "(Daniel Brogan, Peter Eisenman, Motta Architecture) +
Still important is the attitude shown towards the landscape and the context in which supporters of the Post osannavano.Eisenman responds with modern architectures that are rooted in the history of the place on which they arise, avoiding the attitude of mimesis and sacrifice that ruled the rest of post modern. Residences IBA in Berlin in the residence of
'IBA Eisenman in Berlin finally shows the strength of this architecture concettuale.Il complex is made in small ways, only a corner lot reminiscent in its LOCATION in the plant as in the past raised the place to which appartiene.Tracce color and rotation of the grids create a formal game of tension to resolve the issue of corner on the road.

Franco Pure, "layering" - "stop" inbeetwen

Wexner Center for the Arts, Columbus Ohio dell'inbeetwen of the technique is, of being inside . Create something inside other buildings, in the interstitial space between them, in the intermediate space, between the reuses pieghe.Si doing so a gap without affecting the existing complex of buildings is stratified and a new design solution to the spike and not a esistente.Dunque distruttiva.Il Wexner and then make a mockery of the abilities of modern and post magically appear as two medieval ramparts recall a the past does not exist in Columbus.


Wexner Center for the Arts, Peter Eisenman oscillations and vibrations
The idea of \u200b\u200bmotion expressed by the oscillation, which in the future had been a clear matrix of inspiration for painting and sculpture had not been included deeply into the architecture. The dynamism and sense of movement had been entrusted to the car and the speed of vibrant city, buzzing, technologically advanced and responsive to a model ipermeccanicizzato and industrialized.
Nothing had been attempted in the architecture to represent the kinematics of the body, vibration and so there was plastic under the eyes and understood by Boccioni sculpture (Figure thick conceptual in the first place) and the other to see implemented futuristi.Per experimental architecture in many of the issues addressed by the Italian Futurism we have to wait half a century to see it materialize in the work of a Canadian by adoption, Frank Gehry, Peter Eisenman and New York.
dog on a leash, Giacomo Balla

Faculty of Architecture in Cincinnati, Peter Eisenman
  • The existing body (the Faculty of Architecture) is expanded using a space beetwen for the gallery of students and then made to vibrate to generate lines of force or more carriers that become terraces, green parts, flooring, internal divisions, or signs commonly found in section alzato.Un or other body is then swung and connected students to the gallery and the existing building.
  • Diagram
    Another rather technical or conceptual model used by Peter Eisenman is diagramma.Si is to prefigure the forms attraverso un processo di evoluzione che è interscambiabile e mutevole e che salta con disinvoltura dal plastico reale a quello informatico per essere verificato e dinamicamente modificato al variare delle scelte di progetto.Un atteggiamento del tutto simile ad un modello informatico ( vedi lezione sui modelli decisionali )

Diagrammi generativi della chiesa del 2000,Roma,studio Eisenman architecs.

Centro della cultura Galiziana a Santiago de Compostela nato dallo scontro di zolle telluriche (metafora e narrazione calzante per risolvere un progetto territoriale dall’ enorme estensione in mq) in costruzione.

Wednesday, June 10, 2009

How Long Does Bottle Of Pinot Last

second series of lectures


il tempo Riflessioni sulle lezioni del prof.Antonino Saggio
>>
vedi lezioni corso CAAD 09

il tempo è la materia prima dello spazio!

“Immaginiamo così di vivere costretti lungo un binario, immersi in una dimensione esclusivamente lineare, senza averne mai sperimentate e neanche immaginate altre.Facciamo a noi stessi una domanda chiave: qual è il modo di conoscere, di descrivere, di rappresentare questo mondo solo lineare? Clearly, the view is not help because everything appears crushed at a single point. The answer must reside in another order of experience: how to know this linear space can only be covering it. They can calculate the time from one point to another track and it is this "interval" that allows to describe this condition space!. Time thus becomes the first dimension and descriptive knowledge of space. And the line, the minimum amount of space. "(From the first dimension of space time by Antonino Saggio)



read more>> on coffee break








Emilio Vedova – immagine nel tempo 1958

Prendiamo ad esempio la condizione dei vermi piatti che è già superiore al semplice binario lineare (dove posso andare solo avanti-indietro)e ci aiuta a capire delle cose:
la prima è che un verme piatto striscia su + direzioni complanari in un mondo comunque bidimensionale (un piano cartesiano xy,come un semplice pavimento) e che lo spazio è un intervallo percorribile nel tempo la seconda è che questo mondo a due dimensioni coexists with nature in our three-dimensional world (and that these do tapeworms have the slightest suspicion!) then
any frame of reference is contained by less than one.
The condition of the flatworm is not unlike that of being umano.Anche the human being and its three dimensions are contained in a system +
size and by a lower projection has only one level higher.
This means that to understand the nature of the upper level we must make real "jump." Is the apt metaphor of the fish that live in the sea in a world with its own rules and that only by jumping out of the water may have a vague idea (projection) of the terrestrial world of hills, mountains and altro.Questo jump is what man does today aware of but was unable to understand intimately and fully the reasons, other dimensions (the individual is able to describe many, but not without diving into the water and blatant denials ...)

Each reference system is valid and has an inside space and time independent


"Now we begin to bend the sheet, before slightly then more pronounced. As you know the length of T, although the curve, does not change. The way to get from A to B is always marked by the same line (even if has become a curved line). Now we continue to bend the sheet from "almost" to touch the points A and B. Again, being confined to two dimensions that line "continuous" curve is the shortest way to link A and B. But here's the big step: imagine jumping out of that world in two dimensions and to look at the curved sheet by a three-dimensional world. We will see now, looking from the outside, that the shortest way to go from A and B is not straight along the curve T, but by drawing a new line "t" between points A and B in space and moving in a precisely another reference system (the three-dimensional xyz space) compared to that of two of the paper.
Seeing it all from another dimension, not only solves the problem differently, but what is clear is that it is the time to be different (t is much shorter than T). And being different times, so are the spaces (say, at least the logic of spaces) other than as t is different from T and is a new, more efficient, to merge A and B. "
read more >> on coffee break








In any higher-level system co-exist infinitely many reference systems-level
+ The fourth dimension is not the time but it is a given geometric . In formulazione di un universo elegante si utilizza descrivere il mondo reale in tre dimensioni paragonabile ad un cubo mentre la quarta non è altro che lo spostamento di questo cubo.In questa maniera all’interno di questo universo coesistono infiniti cubi a tre dimensioni dai quali poter avere una proiezione dell’ipercubo risultante. Per approfondire visita >>


 

Se nel mondo lineare si cammina solo in avanti,nel mondo bidimensionale si può andare in + direzioni , e nel mondo tridimensionale(che è il nostro) si ha la presenza dell’asse z e delle differenze di quota , nell’ipercubo the way to go to 4 dimensions is a space to jump from a cube to a altro.Concettualmente the leap of logic is easy to operate and geometrically many network simulations in this space to display good size and 4 show simulations with other models of size n .
sd
This observation leads to the conclusion that use of new technology for implants have a projection similar spazi.Una prosthesis technology (like a telescope) is an 'extension of our sensory corpo.Il web is one of the worlds queste.Infiniti with rules, different space and time can exist only within + windows giving a projection of an electronic 3-dimensional (human) simply looking at our screen. But it is still a projection in real time what happens elsewhere in the world with different rules in three dimensions and not a full time comprensione.Ecco infinite worlds that coexist in a 3D world in 4 dimensions, represented by the network. A multiplication of parallel worlds and dimensions in which simultaneous time is instantaneous and independent, and therefore inadequate to describe these new dimensions of the network ... this is that we start to frame the projection of a world top level without being able to understand the entire operation. ------------------------------------------------- ------------------------------------------------ For investigate more>>

first time space matter
on coffee break
visit>>

The Elegant Universe
---------- -------------------------------------------------- -------------------------------------
eisenman-4[2]
construction of the world A multi-dimensional world (let's concentrate on our 3-D) I can build it through two families of operations:

extrusions

extrusion of a point I get a line, a line from a surface, a surface get un volume, dall’estrusione di un volume ottengo un iperspazio.

rivoluzioni



Nelle rivoluzioni,un volume o una sezione (anche variabile) ruota intorno ad un asse,compiendo un giro completo o parte di esso.

Le curve di Bezier hanno una descrizione matematica data dall’omonimo ingegnere e sono molto usate nella computer grafica perchè ammettono punti di controllo anche esterni alla curva (punti di ancoraggio) che rendono la modifica della linea piuttosto immediata.
operazioni Booleane




Le operazioni Booleane sono quelle di addizione sottrazione e intersezione, con esse è possibile creare una buona parte delle forme esistenti in natura.
-------------------------------------------------------------------------------------------------

Frank owen gehry
Masse, traiettorie,
collisione
cincinnati center for design and art L’approccio di Frank Gehry all’architettura è molto differente da quello descritto per Peter Eisenman.Si tratta di un approccio plastico e spaziale all’architettura e non di tipo planare-vettoriale.Le architetture di Gehry possono essere ben comprese se associate al lavoro di scultori che egli stesso frequentò e dunque the sensitivity shown towards the arts (in full swing in Los Angeles 70 years). architect Gehry's work, however, begins very differently from the one known in the works and more + recenti.L 'approach "computer" is innate in Gehry's architecture as well as in many of the architects "deconstructionist" that join in MOMA exhibition in '88, but the tool reaches the end of a creative process and compositional traditionally dealt with on paper and highlights the potential of a series of computerized communication and construction processes that could not exist without the help of information technology as a database dinamico di informazioni (siano esse riferite alla struttura dell’edificio o alla sua pelle-rivestimento).Il computer quindi entra dalla finestra ed in assoluta sordina come strumento dalle potenzialità sconosciute ed insondate e soltanto alla fine di un processo già terminato (vedi progettazione del guggenheim di Bilbao interamente progettato in maniera tradizionale e con tavole di concorso acquerellate a mano e poi indagato gestito e cantierizzato attraverso l’uso del software)
Assemblare
Ancora vivido il ricordo del lavoro nel ferramenta del Nonno,Gehry sperimenta una fase nella quale l’assemblaggio di + elementi crea una composizione finale disarticolata grazie all’uso di materiali poveri,inusuali architecture, combined in open-minded to the respectability of vicinato.L 'influence of pop art is decisive in the use of raw wood, the balloon frame, such as asphalt paving interior sheet metal and enclosure nets. To this period belong the home of Santa Monica in 1978 and subsequent Familian House in Los Angeles, Wagner House in Malibu 1978, Spiller House in Venice 1978-79.
his home in Santa Monica will mark the rebirth in all sensi.Dopo a long period of traditional jobs and lack of depth and thanks to the care of psychoanalysis in the life of Gehry change qualcosa.La security and the desire to change as well as the proximity to the circle artists and sculptors of his friends drag him to a new life experience and lavoro.Chiuso the old studio and fired his former employees Frank Gehry the world to proclaim again the design of his house, with a new family in Santa Monica.

wagner house in Malibu 1978 / assemble, Gehry
diagramma[2]
Familian home, Los Angeles 1978 / assemble, Gehry
range
eisenman_2 architectures this time are of the open space and thus the vacuum primary composizione.Più that the character of buildings is a scene of a village within which to place the elements of composition.

home for a filmmaker, Los Angeles 1981
remain separate all the other attitudes to space and assembler within a distributed and complex projects in songs extended to the surface, but the tendency to separate steps forward in the Santa Monica Mall, where the central body is clearly separated into two expanding the open space available and creating a series of events (see range) in which the material (aluminum panels galvanized steel and copper panels) along with frames that frame the sky lead along the path of separation.

shopping center, offices and museum Edgemar, Santa Monica 1984-88
California Aerospace Museum, the role of the sculpture becomes a symbol of the whole building advertising the pop ... Article mocks and feeds at the same time the phenomenon of mass.
Offices Chiat / Day / Mojo, Venice 1975 and 1986-199 and the invention of the telescope for meeting the sculptor Oldenburg
Fishdance, Kobe Japan merge In 1986 an exhibition in Minneapolis insists the world the genius and creativity of Gehry with a great introspective on his lavori.Dall 'inside of a cone structure is visible light dell'allestimento where they are exhibited her furniture compressed board , his plastic works (such as fishdance and fish on the waterfront of Barcelona) and of course its architetture.Ma is the prelude to another period of experimentation and this time, Gehry seems very interested in the work of Italian Futurism, differently from 'Eisenman attention to the kinematics of Balla and for the translation of Duchamp's naked: Gehry is linked intimately to the work of Boccioni and its trajectory in space.
Vedova_-_Immagine_nel_tempo_58-4V_-_6895
Fondere è l’espressione che meglio racchiude questa esperienza,quasi si trattasse di colate in bronzo da fondere in scultura,in materia scultorea.Il museo Vitra a Weil am Rhein,(Germania 1987-1989)è il preludio ,un primo tentativo di traiettorie spaziali che lavorano alzandosi da terra e creando una skyline inedita perfino per Gehry.


vitra museum a Weil am Rhein,vedi
altre foto <<


vitra museum a Weil am Rhein,Germania 1987-1989
altre foto<<
Poi è il momento dell’American Center of Paris, where plastic is a masterpiece or even recognize the separation of architecture since plastico.L 'field amalgamation of the arts in this work may have finally found an answer? American Center, Paris 1988-93 The head of national offices in Prague and the subject of public opinion surveys and is organized by business functions to the first floor, then offices, and a panoramic restaurant on the corner copertura.Il theme is fixed by welding to the building literally plug contigui.Una buildings of Gehry's best achievements that engages fully with the city of Prague.
Ginger and Fred, the "dancing building" for the national offices in Prague 1992-97
----------------------------- -------------------------------------------------- ------------------
The concert for the Disney Hall is a multi-functional open space to the town is crossed every project has ora.Il accessibility on all fronts while the entrance Main is housed in the large hole in the road in front of the complex. Disney Concert Hall, Los Angeles 1988
------------------------------- -------------------------------------------------- ----------------
the Guggenheim is an extraordinary feat in which Gehry finally completes the intentions plastic precedenti.A practiced in architecture from the place of the intervention that Gehry choose carefully: an abandoned area near the river, a cheapscape (his favorite) to make money as città.Si whole new engine is a urbatettura, a metropolitan landscape.

The intentions are to create a new cathedral, designed as a new symbolic place in the city of Bilbao and solo.Il landscape that motorists on the stretch of highway between + see is formidable in the world, it was indeed a new cathedral which stands out with its beautiful bell tower and useless as its soft contours and changing with the setting of sole.Il titanium coating gives the museum a metallic look, which makes it even + the idea of \u200b\u200bcasting the molten metal in one piece, as if it were a unique sculpture that draws trajectories in space ( the reference is to Boccioni and how easy it is curious that the combination was the first to speak and write has been prof. Antonino Saggio many years after its construction!)

The program is functional within perfetto.Una machine simply fitting that uses a long gallery of 100 + feet high and 30 for any kind of exhibition of modern art (eg they reside. "snake" Richard Serra) and a 50 meter high atrium for installation in height and to distribute visitors to the other extreme variety and therefore flexibility corpi.Massima spaces espositivi.Una series of outdoor spaces, public spaces are now acting as an attractor for walking fiume.Un along the work that solves a major issue in the city (intersection of disused docks, river, highway layout) by creating a museum iperfunzionale and giving the world an icon of modern architecture, all in one shot. Another thing would be to mention the epic and the technology that allowed its construction and that has changed forever the way of understanding the construction process (at present left still unchanged)
Guggenheim Museum, Bilbao Spain 1991-1997 to deepen

moon mechanical laws

\u0026lt;\u0026lt;
----- -------------------------------------------------- ------------------------------------------
P2170007
liquefy
"Gehry and the nonagenarian Philip Johnson design the house without the networks, to recover. The program provides a mix of 2200 square meters of public areas and private areas for the rich families and different groups of guests. The latest in a long series of versions, has four igloo (dining room, living room, bedroom, study) that are refracted on the surface of water. These volumes are emitted from a meandering drape that ends on one side by the garage (with over the house staff) and on the opposite side of the pool for swimming. On the other hand, a mechanical piece (a sort of retreat house) gets stuck in the lobby-gallery, while the guest house is insulated. Like a glove continually shot on the same internal and external mix and feel a submarine, fluid, marsupial emerges. He inaugurated a new phase or is it just an experi-ence? "(Antonino Saggio)
max reinhard house

liquefy is the latest trend (the one still in progress) by Frank Gehry Lewis is undoubtedly the controversa.Casa + is a huge field of research and the project will never be concluded for the continued rethinking of the client but from the plastic and formal experimentation that created the seeds sprout in other esperienze.E 'the case the DZ Bank Building in Berlin, where a piece of home Lewis (head) is finally built in the courtyard of the building is sized esistente.Si is the study of the head of a horse but it could be any other figure, this would have no importanza.Li is arranged the meeting room of complesso.Ma the liquefaction process is only just beginning, and the forms are still contracted and defined as belonging to the plastics and modello scultoreo + che ad un mondo fluido.
ristrutturazione interna dell’edificio della Dz bank di Berlino.
curvabezier Il vero salto avviene nell’Experience music project di Seattle nel quale la fluidità del gesto compositivo è accentuata da superfici e pareti che hanno sezione a doppia curvatura e che assumono traiettorie esterne ed interne assolutamente diverse e non parallele.Costruttivamente la Gehry’ tecnology è in grado di gestire qualsiasi tipo di manufatto architettonico digitale e cura i rapporti di partnership con qualsiasi azienda entri in contatto con un progetto di Frank Gehry rivoluzionandone il modo di interagire e di dirigere i lavori di cantierizzazione.Una punta di eccellenza nelle costruzioni che è frutto del lavoro di + di 20 anni di “architetture impossibili” (a parere degli altri!)



appendice
Se liquefare è l’ultimo dei verbi con il quale poter descrivere il lavoro di Frank Gehry,le sue + recenti architetture sembrano sfuggire alle regole fissate fin’ora (e questo potrebbe apparire naturale) ma non sembra neppure essere il preludio di un'altra tendenza sul nascere.Francesco dal Co sulle pagine di Casabella parla di "smalto sul nulla"riferendosi all'hotel dell'azienda vinicola Marques de Riscal e forse non con tutti i torti.Assistiamo ad un ripiegamento concettuale ed estetico nelle forme che gehry propone e ad un indebolimento fino a scongiurare il grottesco di alcune operazioni progettuali divenute addirittura parodia televisiva (vedi la partecipazione di Frank Gehry nei Simpson).Attenzione però ,questo non vuole essere un facile giudizio,ne la descrizione di una caduta di stile ma è l'esatta descrizione di un mutamento + generalizzato (e non mi riferisco solo all'architettura) ma della società del consumo e della cultura moderna che ricerca nel futile quanto nel sensazionale la sola ragione di vita (+ di quanto sia accaduto in passato e + di quanto la pop-art abbia messo in evidenza).Non mi dilungo su questo punto per non aprire un infinito capitolo sul presunto valore etico oltre che estetico che l'architettura dovrebbe promuovere con forza,nella giungla di pareri discordanti. >>
Per approfondire leggi / peter eisenman - sei punti

/ in particolare -punto 4

hotel Marques de Riscal, Elciego, Alava, Spagna per azienda vinicola.



-------------------------------------------------------------------------------------------------

FINE QUARTO CICLO DI LEZIONI
-------------------------------------------------------------------------------------------------